Fashion Statement

Trivia

Production photo from It Happened One Night (1934)

Can a movie change clothing trends almost overnight? That’s what happened with It Happened One Night (1934) from Columbia Pictures. Here’s the scoop, according to the Internet Movie Database:

“While shooting the scene where he undresses, Clark Gable had trouble removing his undershirt while keeping his humorous flow going and took too long. As a result the undershirt was abandoned altogether. It then became cool to not wear an undershirt which resulted in a large drop in undershirt sales around the country. In response, underwear manufacturers tried to sue Columbia.”

Hitchcock’s Practical Joke

Quotes

“Once, we were at a party in a restaurant with some twelve guests to celebrate my wife’s birthday. I hired an aristocratic-looking elderly dowager and we put her at the place of honor. Then, I ignored her completely. The guests came in, and when they saw the nice old lady sitting alone at the big table, each one asked me, ‘Who’s the old lady?’ and I answered, ‘I don’t know.’ The waiters were in on the gag, and when anyone asked them, ‘But what did she say? Didn’t anyone speak to her?’ the waiters said, ‘The lady told us that she was a guest of Mr. Hitchcock’s.’ And whenever I was asked about it, I maintained that I hadn’t the slightest idea who she was. People were becoming increasingly curious. That’s all they could think about.

“Then, when we were in the middle of our dinner, one writer suddenly banged his fist on the table and said, ‘It’s a gag!’ And while all the guests were looking at the old lady to see whether it was true, the writer turned to a young man who’d been brought along by one of the guests and said, ‘I bet you’re a gag, too!'”

— Alfred Hitchcock, interviewed in 1962 by Françoise Truffaut

First Sound Film?

Trivia

When was the first sound film made? The Warner Bros. studio began experimenting with its Vitaphone technology in 1925. This technology used a mechanical system to lock the projected film to a phonograph turntable. The synchronized audio worked well most of the time, but could be thrown out of sync if everything didn’t go perfectly. It improved enough within two years for the part-sound, part-silent The Jazz Singer (1927) to become a popular hit. Later, the accompanying sound track was incorporated onto the film itself.

The very first attempts at synchronizing sound with film reach almost as far back as the invention of film. Thomas Edison’s assistant, W.K. Laurie Dickenson, produced an experimental sound film in 1884 using Edison’s “kinetophone” process, which attempted to link a Kinetoscope movie projector with Edison’s phonograph player. The film shows two men dancing to the accompaniment of a violinist. As far as we know, it was never shown outside the Edison movie studio.

Kid Brother

Trivia

Production photo from Kid Brother (1927)

Only one time in my life have I witnessed someone laughing so hard he fell out of his chair. It was during a screening of Kid Brother (1927), one of Harold Lloyd’s best silent comedy features. Near the end of the film as the Lloyd character is being pursued inside a cargo ship, a small monkey tries on a pair of shoes and proceeds to walk along the deck. Lloyd hears the clomping and assumes it must be the villain. It was the sight of the monkey in the oversized shoes that struck a chord with my friend Dean, who eventually landed on the floor, no worse for wear.

First Movie Ever Made?

Trivia

What was the first movie ever made? It depends on what you consider to be a movie. In 1877, Eadweard Muybridge photographed a galloping horse using a split-second sequence of images, in order to prove the horse had all four hoofs off the ground. When displayed in real time, the sequence resembled to a motion picture.

Here is a link to stream what may be the earliest celluloid film. Roundhay Garden Scene (1888) was shot by Louis Aimé Augustin Le Prince using the Le Prince single-lens camera.

Thomas Edison’s assistant, W.K. Laurie Dickenson, is often credited with building the first movie camera, movie projector (the “Kinetoscope”), and movie studio (the “Black Maria”). The first short films produced at Black Maria include “Fred Ott’s Sneeze,” “Buffalo Bill’s Shooting Skill,” and “Boxing Cats.” By 1894, the public could see these and similar films at Kinetoscope Parlors established in cities around the U.S., including New York and San Francisco. Only one person could view a Kinetoscope at a time, so the parlors had multiple machines lined against a wall.

Early Superman

Trivia

Production photo from Superman (1948)

Before Superman Returns (2006), Superman (1978), and even the television series Adventures of Superman (1952-1958), there was the movie serial Superman (1948), starring Kirk Alyn in the title role. Though it may spoil the magic, this image reveals some of the technical wizardry that allowed him to fly through the air unaided by wires or trampolines. Alyn made a cameo appearance in the 1978 Superman movie as young Lois Lane’s father (they’re on a train together).

Longest Theatrical Run?

Trivia

What movie has played continuously in a theater for the longest time? That depends on what you consider to be a movie. The 34-minute Williamsburg: The Story of a Patriot has run in Colonial Williamsburg since 1957. In 2002, it was shown to its 30 millionth person.

Among feature-length movies, the record may go to the Indian-film Dilwale Dulhania Le Jayenge (1995). It had played in a Bombay theater for more than 500 weeks, as of May 2005. The title translates as “The brave-hearted will take away the bride.” Unfortunately, I wasn’t able to find out when its run ended, or if it’s still playing at the same theater.

October

Quotes

Poster for October (1927)

This silent Russian film by Grigori Aleksandrov and Sergei M. Eisenstein was commissioned for the tenth anniversary of the Soviet revolution. While Eisenstein’s Battleship Potemkin (1925) is considered to be one of the most innovative films ever made, October is even more daring in its approach.

In a letter to Leon Moussinac dated December 16, 1928, Eisenstein wrote that “in this film that is so much of the ‘people,’ of the ‘masses,’ I allowed myself to experiment.” Later in the letter, he wrote, “October is the dialectical denial of Potemkin! And the main interest of October is in the bits and pieces which do not resemble the ‘Battleship.'”